Louise Bogan
Born in Maine on August 11, 1897 and died February 4, 1970. The daughter of a mill worker. Her parents’ marriage was not a happy one, due largely to her mother’s mental and emotional instability. Louise herself had a limited education due to her lower-middle-class Irish background.
Louise Bogan is one of the most accomplished American poet-critics of the mid-20th century. Her subtle, restrained style was partially influenced by writers such as Rilke and Henry James, and partially by the English metaphysical poets such as George Herbert, John Donne, and Henry Vaughan, though she distanced herself from her intellectually rigorous, metaphysical contemporaries. She has six poetry collections. Some critics have placed her in a category of brilliant minor poets described as the “reactionary generation. Bogan’s poetry contains a personal quality derived from personal experience, but it is not private or confessional. Her poems, most critics agree, are economical in words, masterpieces of crossed rhythms in which the meter opposes word groupings.
Louise was the fourth poet laureate to the library of congress in 1945 and was the first woman.
Bogan and her husband separated in 1919, and he died of pneumonia a year later. She moved to Vienna, where she lived a writer’s life of solitude for three years. When she returned to live in New York in 1923, she worked in a bookstore and with cultural anthropologist Margaret Mead.
May Bogan indulged in numerous extramarital affairs, which she flaunted. She also mystified her family with frequent and lengthy disappearances. Millier proposed that “the difficulties and instabilities of her childhood produced in Bogan a preoccupation with betrayal and a distrust of others, a highly romantic nature, and a preference for the arrangements of art over grim, workaday reality.”